Світ

TOKYO — Japan’s “Moon Sniper” craft landed around 55 meters from its target, the country’s space agency said Thursday as it released the first images from the mission.

The unmanned Smart Lander for Investigating Moon (SLIM), dubbed the “Moon Sniper” for its pin-point technology, had the goal of touching down within 100 meters of a specific landing spot.

That is much more precise than the usual landing zone of several kilometers.

“SLIM succeeded in a pin-point soft landing … the landing point is confirmed to be 55 meters away from the target point,” space agency JAXA said.

Saturday’s soft lunar landing made Japan the fifth nation to achieve the feat, after the United States, Soviet Union, China and India.

But celebrations were muted because of a problem with the lightweight spacecraft’s solar batteries, which were not generating power.

JAXA decided to switch the craft off with 12% of its power remaining, to allow for a possible recovery when the sun’s angle changes.

“If sunlight hits the moon from the west in the future, we believe there’s a possibility of power generation, and we’re currently preparing for restoration,” JAXA said earlier this week.

Before switching SLIM off, mission control was able to download technical and image data from the craft’s descent and the lunar surface.

On Thursday, JAXA published the first color images from the mission, showing the SLIM craft sitting intact at a slight angle on the rocky, gray surface, lunar slopes rising in the distance.

The mission was aiming for a crater where the moon’s mantle, the usually deep inner layer beneath its crust, is believed to be exposed on the surface.

By analyzing the rocks there, JAXA hopes to shed light on the mystery of the moon’s possible water resources, key to building bases there one day as possible stopovers on the way to Mars.

Two probes detached successfully from SLIM on Saturday: one with a transmitter and another designed to trundle around the lunar surface beaming images to Earth.

This shape-shifting mini-rover, slightly bigger than a tennis ball, was co-developed by the firm behind the Transformer toys and took the picture released by JAXA on Thursday.

SLIM is one of several recent lunar missions by governments and private firms, 50 years after the first human moon landing.

But technical problems are rife, and the United States faced two setbacks this month in its ambitious moon programs.

Two previous Japanese lunar missions, one public and one private, have also failed.

In 2022, the country unsuccessfully sent a lunar probe named Omotenashi as part of the United States’ Artemis 1 mission.

In April, Japanese startup ispace tried in vain to become the first private company to land on the Moon, losing communication with its craft after what it described as a “hard landing.”
…

BRUSSELS — The European Union on Wednesday unveiled plans to strengthen the bloc’s economic security, including measures to protect sensitive technology from falling into the hands of geopolitical rivals such as China. 

Brussels has bolstered its armory of trade restrictions to tackle what it deems to be risks to European economic security, following Moscow’s invasion of Ukraine and global trade tensions. 

The fallout from the war in Ukraine hit Europe particularly hard, forcing the bloc to find alternative energy sources. Now, it wants to avoid a similar over-reliance on China, which dominates in green technology production and critical raw materials. 

On Wednesday, EU officials outlined an economic security package containing five initiatives, including toughening rules on the screening of foreign direct investment and launching discussions on coordination around export controls. 

The EU has already proposed new rules that it says are necessary to keep the bloc competitive during the global transition to clean technology and to bring more production to Europe. 

“In this competition, Europe cannot just be the playground for bigger players, we need to be able to play ourselves,” said the EU’s most senior competition official, Margrethe Vestager. 

“By doing what we are proposing to do, we can de-risk our economic interdependencies,” she told reporters in Brussels. 

Wednesday’s package is part of the EU’s focus on de-risking but not decoupling from China, pushed strongly by European Commission President Ursula von der Leyen. 

“The change in EU-China relations has been the driving force of this embrace of economic security, which is something extremely new for the EU,” said Mathieu Duchatel, director of international studies at the Institut Montaigne think tank. 

“Focus on riskier transactions” 

EU officials also pushed back on claims that the package had been watered down and that some of the initiatives would kick in too late. 

One of the initiatives is to revise the EU’s regulation on screening foreign direct investment, but others recommend further discussions, raising concerns that action could come too late. 

For example, the commission said it wanted to promote further discussions on how to better support research and development of technologies that can be used for civil and defense purposes. 

The EU also wants all member states to establish screening mechanisms, which could later lead to investments being blocked if they are believed to pose a risk. 

“I would not agree that the package is watered down,” the EU’s trade commissioner, Valdis Dombrovskis, said. 

He later said the EU wanted “to focus on riskier transactions and spend less time and resources on low-risk ones.” 

The negotiations are likely to prove a delicate balancing act for the commission. Investment and export control decisions are up to national governments; therefore, it must avoid overstepping its mark. 
…

With the growing concern over greenhouse gas emissions that are blamed for climate change, a Kenyan-Dutch company is introducing electric bikes in sub-Saharan Africa for deliveries in urban areas to help reduce emissions. The transport sector plays a crucial role in reducing greenhouse gas emissions and mitigating the effects of global warming. Juma Majanga reports from Nairobi. Camera: Amos Wangwa     
…

Paris — Power generated from low-emissions sources, such as wind, solar and nuclear, will be adequate to meet growth in global demand for the next three years, the International Energy Agency said, adding that emissions from the power sector are on the decline.

Following record growth, electricity generation from low-emissions sources will account for almost half of the world’s power by 2026, up from less than 40% in 2023, the IEA said in report on Wednesday.

Renewables are expected to overtake coal by early 2025, accounting for more than a third of total electricity generation, the report said.

Nuclear power is also forecast to reach a record globally as French output continues to recover from lows in 2022, several plants in Japan come back online and new reactors begin operations in markets including China, India, Korea and Europe.

Electricity demand is expected to rise on average by 3.4% from 2024 through 2026 with about 85% of demand growth seen coming from China, India and southeast Asia, after growth eased slightly to 2.2% in 2023, IEA data showed.

Over this period, China is expected to account for the largest share of the global increase in electricity demand in terms of volume, despite a forecast for slower economic growth and a lower reliance on heavy industry, the report said.

Meanwhile, global emissions are expected to decrease by 2.4% in 2024, followed by smaller declines in 2025 and 2026, the report said.

“The decoupling of global electricity demand and emissions would be significant given the energy sector’s increasing electrification, with more consumers using technologies such as electric vehicles and heat pumps,” the report said.

Electricity accounted for 2% more of final energy consumption in 2023 from 2015 levels, though reaching climate goals would require electrification to advance significantly faster in coming years, the IEA said.
…

Park City, Utah — An audience member was ejected from a Sundance festival event Tuesday in a spat over artificial intelligence, triggering a walkout that illustrates the divisions the technology has rapidly wrought in the film industry.

AI — a key driver of the recent and devastating Hollywood strikes — has been debated extensively at this year’s indie movie festival in Utah.

Filmmakers have experimented with using the technology as a creative tool, while also cautioning about its potential to erase jobs and stifle human expression and connection.

At a Tuesday screening of “Being (The Digital Griot),” in which audience members were encouraged to approach the screen and discuss issues like racism and the patriarchy with an AI bot, an audience member appeared to shout profanity about AI.

“I’m not here to be cursed out and I’m not going to have my AI child be cursed out either,” responded the film’s creator, artist Rashaad Newsome, refusing to participate in a post-screening Q&A until action was taken.

Festival staff forced the woman who had apparently yelled to leave the auditorium, prompting jeers.

Roughly a quarter of the auditorium walked out in solidarity, with some complaining that debate was being shut down and others insisting the lady expelled had not been the actual culprit.

Sundance organizers told AFP they were “looking into” the incident and “reviewing all available material to determine what happened so that corrective actions can be taken.”

But the incident highlighted long-brewing and sharply escalating tensions triggered by the issue of AI in the film world — something that this year’s Sundance lineup was specifically programmed to address.

‘Scary’

In addition to “Being,” the Sundance indie festival has hosted “Eternal You” and “Love Machina,” two documentaries about loved ones using AI to communicate after death.

Another film, “Eno,” explored musician Brian Eno’s career and creative process, using a “generative engine” to mesh together near-infinite different versions of a film from hundreds of possible scenes.

AI was also addressed on the fiction side by films like “Love Me,” starring Kristen Stewart, which imagined a romance between an AI-powered buoy and a satellite in a post-human world.

“Love Machina” director Peter Sillen told AFP that AI could soon mean that making a film will be a similar process to writing a novel.

“You’re going to be able to have somebody who’s sitting in their room create a masterpiece of filmmaking, probably,” he said. 

The idea was “hard and scary” but “interesting,” Sillen said, concluding: “I think you have to be open to it.”

“Eternal You” director Hans Block pointed out that AI is already widely used in movies — indeed, the Adobe software he used to edit the film is “full of AI” and “helped us as a tool a lot.”

“It’s so much more easy to make a film nowadays,” he said.

But Block said that while AI can help as a tool, it is important to debate what harm could be caused if the technology is not regulated.

“That’s why we are so happy to present the film right now, because it’s a perfect time to open the debate about these discussions,” he said. 

‘Human touch’

The danger that AI could replace screenwriters, actors and other professions was a key sticking point in last year’s Hollywood strikes, with unions holding out for guarantees from studios that they would not be replaced.

The encroachment of AI has sparked resolutely negative reactions from many filmmakers at Sundance.

Anirban Dutta, co-director of “Nocturnes,” an experiential documentary about scientists studying moths in the eastern Himalayas, said his movie is “a response to what’s happening to this world where all our human instincts are being mechanized.”

“Our film is a love letter to invite people to come back to what we are losing… human touch,” he said.

The woman who was thrown out of the “Being” screening, who has not been identified, was making a similar point before chaos erupted.

“As interesting as this (film) is… all of the knowledge it has comes from people,” she said.
…